Keep the Life

How the story was made

About this page

This page is an attempt to consolidate ideas that came from many separate sources: documentaries, reading, school lessons, Romanian public life, the SCP Wiki and games. It records how the story was written, where the ideas came from, and which rules held the text together.

Who wrote what

The story was written as a roleplay. I wrote every line spoken by Toma. Claude, a language model made by Anthropic, played the other characters and built the setting that reacted to Toma. Every reply from the other characters was corrected through editing notes, and in many places I told Claude what a character should say. I take responsibility for the result, including its mistakes.

Claude worked under a set of skills and standing instructions from my account, added on top of its default behavior, to bring its writing closer to my style and conventions. They cover:

With these rules in place, every reply from the other characters still went through my editing notes.

I wrote the editing notes in chat, and they were removed from the text once applied. I keep edit histories only where they fit in GitLab, and I do not publish early alpha versions.

Claude also helped with the research. It brought in a few references I had never heard of, and they proved to be useful. The section References Claude found lists them, with links.

In the alpha versions, the concept, summary and glossary pages were generated by a Python build script from their own source files, the build indented the story's markup, and a separate script drew the calculator's pixel display from the X11 koi10x20 bitmap font. I deleted those scripts and their sources, and every page is now edited directly.

The interactive pages, the simulated screens, the letters and the navigation were built in HTML, CSS and JavaScript by Claude to my specification. I know HTML, CSS and JavaScript, I am primarily a power user, and I specified the features and the behavior of each screen.

Toma's past is invented. Some elements of it are autobiographical, and I exaggerated those for the story.

One fault is mine: characters sometimes know more than they were told, because I had to compress a lot of information into few scenes. Romanian realist prose has the same fault, in Slavici and Rebreanu, and in Camil Petrescu, who criticized omniscience.

The title

The title comes from the internal AKV poster shown in chapter 2, section 2.6: "KEEP THE LIFE. LOSE THE DAY." It names an object inside the story, in the way Rebreanu's Ciuleandra takes its name from the dance that recurs in the novel. The title keeps the first half of the slogan. The second half describes what the chip was built for, a dose of amnestic that removes one bad day and nothing more.

Where the ideas came from

The SCP canon and its gaps

The starting point was my reading of SCP Wiki articles. Two questions came first: what would happen if staff fell in love with an anomaly naturally, and how could a person retain memories even when amnestics are used. Amnestics are used casually in many articles, and many containment procedures order a dose without stating an amount or a limit. I also noted claims in files that appear with no documented method, such as the "any" in SCP-500 and SCP-294, and older files with weak fact-checking, such as the file on SCP-239. The consumer amnestics come from the Updated Amnestics Guide of SCP Orientation.

Post-communist Romania and its institutions

The inner life of the Foundation draws on my experience of Romanian public institutions and on public record. A member of my family is a mid-level director in a public health institution. The parallels in the story:

Dr. Pryce and Robert Negoiță

Dr. Pryce, the acting director who suspends every exception on Toma's file in the name of fairness of procedure, is inspired by Robert Negoiță, mayor of Sector 3 of Bucharest. On 2 August 2021 an earth embankment collapsed on workers digging a trench near the National Library in Bucharest. Two workers died and four were taken to hospital. The works had no construction permit and were carried out by two companies owned by Sector 3 city hall, on land belonging to the Ministry of Culture. Negoiță cancelled a meeting with the local councillors shortly before it was due, citing the ongoing investigation. In 2024 prosecutors dropped the manslaughter charge against him and sent four individuals and one company to court.

Law and history

Physics, cosmology and geology

Most of the science comes from documentaries I watched, with some from my own reading:

I read and watched some geology, and the Precambrian interested me the most. Toma's remark that rhetoric should be treated like geology, a science that is not fully exact, comes from there, as does the comparison of Sigurrós's energy with a cut forest that absorbs less CO2 (although it relates more to ecology than geology).

One figure in Toma's account of old light was wrong, the lifetime of the oldest galaxy. I corrected it inside the fiction: in chapter 9 Dr. Moreau from physical sciences sends Toma a written correction through the screening office.

Rhetoric and teaching

These come from my own reading, as well as some documentaries and videos:

Software and hardware

The technical material comes from my work as a power user of Linux and the web:

Games and internet culture

References Claude found

Claude brought these into the story while researching. I had not heard of them before, and each one fitted the argument of its scene:

Characters and their models

I modeled the characters other than Toma on an ideal or on realist literature.

The cast follows the realist habit of building characters as social types. Each person has a position inside an institution, a clearance level, a department or a shift, and speaks from it. The plot moves when these positions collide.

Dr. Iris Kellerman

Kellerman is the ideal of the cast: the reformist inside the institution. She is competent and honest with Toma, and she pays for both. Realist detail ties the ideal to the ground: a repair-shop background and a habit of keeping what she found in customers' devices to herself, a contract that forbids friendship with an anomaly, six years of service that make leaving with her memories impossible, a relationship lost to secrecy and a man who followed her at university. In the dialogue she takes Toma's statements and draws out their consequences and their feeling, which makes her the reader's way into his arguments.

Pell

Pell is plain and honest, likes steam trains and knows little science. He is the ordinary person the Cicero guidelines have to work for, and chapter 8 shows their limit: a speaker who knows little science cannot answer many questions. His growth from note-taker to the one who explains Sigurrós's file to her in chapter 11 follows the line of a realist minor character who rises through what he does.

The night guard

The guard brings the outside world into the wing. Two years on the rotation of SCP-035 taught him what an anomaly working on a person looks like, and an estranged sister who abused Class A and B amnestics puts the public health problem of the drugs into his own family. He carries Kellerman's letters past the screening office and refuses to sign anything. It represents the informal network that keeps working while the top changes.

Dr. Pryce, Corwin and the officials

Pryce stands for fairness of procedure used as a cover. Corwin came up through security and signs exceptions without being a reformist. Haas and Pryce are counter-reformists of different temperaments, Ferreira and Voss are reformists who test before they decide, and Lindqvist chairs a committee that writes decisions in numbered points. Together they map the competing groups that the story compares with the Romanian justice system.

Sigurrós Stefánsdóttir

SCP-239 is a character from the SCP Wiki, read here as a child who is spoken to. The story ranks her own account above her file and lets her powers decay under the same thermodynamics as everything else.

Rules from the brief

The project brief contains the fixed rules of the world and the style. Many of them record a correction I made during writing, and the list is a partial record as most of my corrections existed only in the editing notes. Some of the rules:

Numbers

The figures below are counted from the story each time this page opens, so they can change if the story changes. Spoken words leave out the speaker's name, the stage directions in italics and the translations in brackets. The stage directions are counted on their own, and a reply continued after a screen counts once.

Next to the average length of a reply, each speaker has the median, or the length of the middle reply when all of a speaker's replies are lined up from shortest to longest. A few long replies pull the average up, so the median shows how long a typical reply is. Stage directions are measured one by one, with the number of replies that carry one: most replies carry none, so a median per reply would be zero for most speakers.

Counting the story.

When I had the indefinite pronouns checked, most of Kellerman's were idioms, real questions, hypothetical persons, or references to file writers whom the files leave unnamed. I had the five that hid a known party rewritten.